Miriam Prandi's deeply personal interpretation of Bach's suites for solo cello reveals a musical personality shaped by freedom and reverence for the work; her phrasing recalls not only the elegance of line in Bach's arias and recitatives but also the intricate figuration of his keyboard works. She naturally embraces certain elements of historically informed performance practice, although she refuses to be confined by it's prescriptions. She allows the music to speak in a way that all today can understand a way that transcends stylistic labels and so-called modernity and speaks with clarity, conviction, and from the heart. Album Tracks 1. Suite No. 1 in G Major, BWV 1007-I. Prélude 2. Suite No. 1 in G Major, BWV 1007-II. Allemande 3. Suite No. 1 in G Major, BWV 1007-III. Courante 4. Suite No. 1 in G Major, BWV 1007-IV. Sarabande 5. Suite No. 1 in G Major, BWV 1007-V. Menuet I and II 6. Suite No. 1 in G Major, BWV 1007-VI. Gigue 7. Suite No. 2 in D minor, BWV 1008-I. Prélude 8. Suite No. 2 in D minor, BWV 1008-II. Allemande 9. Suite No. 2 in D minor, BWV 1008-III. Courante 10. Suite No. 2 in D minor, BWV 1008-IV. Sarabande 11. Suite No. 2 in D minor, BWV 1008-V. Menuet I and II 12. Suite No. 2 in D minor, BWV 1008-VI. Gigue 13. Suite No. 6 in D Major, BWV 1012-I. Prélude 14. Suite No. 6 in D Major, BWV 1012-II. Allemande 15. Suite No. 6 in D Major, BWV 1012-III. Courante 16. Suite No. 6 in D Major, BWV 1012-IV. Sarabande 17. Suite No. 6 in D Major, BWV 1012-V. Gavottes I and II 18. Suite No. 6 in D Major, BWV 1012-VI. Gigue 1. Suite No. 5 in C minor, BWV 1011-I. Prélude 2. Suite No. 5 in C minor, BWV 1011-II. Allemande 3. Suite No. 5 in C minor, BWV 1011-III. Courante 4. Suite No. 5 in C minor, BWV 1011-IV. Sarabande 5. Suite No. 5 in C minor, BWV 1011-V. Gavottes I and II 6. Suite No. 5 in C minor, BWV 1011-VI. Gigue